Line and shadow
Sep. 24th, 2005 01:51 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I tried a more angled version of this but apart from the difficulty of keeping hoses, window-sills &c out of shot the emphasis on the rectilinearity of the brickwork makes a better a contrast with the chair and the shadows.
Normally the background to something like a flower is a distraction at best and I try to blur it away as much as possible. Even here having the background completely sharp wasn't very interesting, but adjusting the aperture to the point that the fence is just a shadow over the brighter blurring produced a pleasing effect.
Similar sort of idea, though without any subject as such. I started attempting to focus on the numerous spider webs hanging off the washing line but that proved a dead loss, so I went for the man-made lines instead.
I must have taken a couple of dozen shots of this from all sorts of angles. Several I quite liked but this jumped out as the most interesting.
All of the above shot with 50mm and 100mm prime lenses. I didn't deliberately set out to avoid using zoom lenses, I just didn't come across anything that seemed to call for them.
(no subject)
Date: 2005-09-24 02:40 pm (UTC)(no subject)
Date: 2005-09-24 02:43 pm (UTC)(no subject)
Date: 2005-09-24 03:29 pm (UTC)Looking at "properties" within ZoomBrowserEX, it's not showing the 35mm equivalent line. That's not to say it's not there, but it's not showing it there.
(no subject)
Date: 2005-09-24 03:50 pm (UTC)(no subject)
Date: 2005-09-24 04:23 pm (UTC)And you're right, it's not always possible to compose in the viewfinder for a lot of reason - particularly if you're using prime lenses.